The purpose of this study is to reflect on the life, music and contributions of Kwadwo Donkoh and Stan Plange to the

development of Ghanaian dance band highlife music. It also examines the compositional devices and arranging

techniques employed in one of their popular highlife songs, Wobe kume (you will kill me) as a contribution to music

theory. Employing document review and interview for data collection, the paper reveals that both Kwadwo Donkoh and

Stan Plange composed and arranged for several bands. A formal analysis of the song, Wobe kume also reveals

manipulation of sequential interlocking patterns, repetitions, variations and transposition in the vocal melody, while

the arrangement employs a technique of ‘double theme brass and vocal alternation’. The study concludes that the song

is a contribution to music theory; and therefore, recommends the use of Ghanaian dance band highlife songs for the

teaching of composition and ‘big band’ arranging techniques, and musical form and analysis in music institutions.