This paper explores alternative scene-changing methods in Ghanaian theatre, focusing on the use of modular set designs constructed from repurposed materials. The study addresses the challenges posed by the lack of advanced scene-changing facilities in major performance spaces in Ghana, compounded by the over-reliance on heavy, traditional materials like plywood, which hinder seamless transitions in multiple-set designs. Through the production of the play Guilty?, the paper demonstrates how modularity and repurposed materials, such as discarded egg crates, can mitigate these challenges. The findings reveal that modular set designs, combined with lightweight repurposed materials, enable efficient and smooth scene transitions, even in the absence of mechanised scene-changing equipment. The article concludes that this approach offers a practical and sustainable solution for Ghanaian theatre practitioners, encouraging further exploration of innovative set design techniques.